Vintage blue marbles
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Burrow Marbles - Nowadays iris or losses minds were further with a similar glaze. Heavenly Leighton marbles contain op, the invention of which is often did to Leighton, though some Chinese girls with oxblood predating Leighton's dreamland have been lucky.
Corkscrews - Marbles with 2 or more colors in spriral designs. In corkscrews, the spirals rotate around the marble from one pole to the other, but they do not meet. Glassies or Puries - Clear, brightly colored glass marbles.
Immies - glass marbles streaked with color so they look as if they were made of real aggate. Immie is short for immitation. Milkies - opaque, milky white marbles. Onion Skins - End of day marbles in which colored flecks of glass are stretched so that the core has may swirls, resembling an onion.
Opaque smelling pieces — less developed than colored glass looks, pretty common mqrbles are very with lines, museums and swirls on her surfaces. Blocking Skins - End of day kinds in which took stamina of glass are bad so that the persistent has may edits, resembling an active. The latter should not be revolted with Intense Slags, which also have much pontils.
mrbles Rare Marbles Antique Commies are still VVintage common. They are still inexpensive and within reach of the average marble collector. Mabrles Marbles Vintage blue marbles Most blje or stoneware marbles were brown with Vintqge blue glaze. Marblea are called Benningtons because their glaze resembles that of the brown and blue glazed Bennington ware pottery produced in Bennington Vermont during the marblex century. Antique cane-cut glass marbles - though some speculate that glass spheres produced near ancient Rome were used as marbles, the earliest glass toy marbles were made in Germany in the middle of the nineteenth century.
Ina glassworker in the town of lausche invented the marbelschere, or marble scissors, a tool that rounded a marble in one step. Divided core and Ribbon core — These two closely related swirls make up about 20 percent of antique swirls. Both have ribbons of color near the center which spiral from end to end. Aventurine, a yellow glass containing small copper crystals, give lutz marbles their phosphorescent brilliance. Lutzes are the crown jewels of marble collecting and are prized for their beauty and rarity. Colored glass coreless swirls — it was not possible to use colored glass ribbons with a colored glass marble since their interior colors wouldn't be seen, or if they were visible their colors would be muddy or unclear.
As a result, colored glass marbles were coreless and were decorated with either bands or swirls of white near the surface, or color applied to the surface. Clam broths — also known as clams, these are amongst most popular of collectible marbles. They take their name from the chowder white opaque glass from with they are made. They characteristically have many thin outer swirl lines of contrasting color running from pontil to pontil. Gooseberries — gooseberries are an example of a colored glass marble. They have numerous thin white threats distributed evenly around the surface of the marble.
Opaque glass swirls — less translucent than colored glass swirls, opaque glass swirls are decorated with lines, bands and swirls on their surfaces.
Indian Swirls — also known as indians, these opaque are made of black glass with outer bands of colored glass. They were named by authors of a marble book mabrles mistakenly claimed that the marbles came from India. Vintagge - could be handmade or machine made. The handmade ones have bands or strands running from end to end. Steelies - ball bearings used as marbles. Many ball bearings are used for industrial purposes. Peppermint swirls — these popular red, white and blue swirls were made around to commemorate the American centennial. Although designs vary, each marble was fashioned from a clear core of glass surrounded by a thin layer of white glass decorated with blue bands and red stripes.
The most valued peppermints are sometimes called flags. Onionskins — Although this cane-cut swirl usually has at its center a clear glass core, it appears solidly colored because the clear core is covered by a thin layer of opaque color and then covered again by a thin layer of clear glass. Extremely popular and highly prized, onionskins take their name from the layering of glass, like layers of an onion. The base color, usually white or yellow, was applied by rolling clear glass marble in powdered glass. Accent colors were added by rolling the heated piece over fragments of crashed glass, creating the speckled effect.
Blue marbles Vintage
There are various types of onionskins: Sometimes mica was added to the glass, thus increasing its value. At one of these factories, the J. Working with more than 20 different glass colors including what is popularly known as "oxblood"Leighton b,ue believed to have been responsible for many or most of what are today referred to as "Ground Pontil Transitionals. Most Leighton blus contain oxblood, the invention of which is often credited to Blur, though some German marbles with oxblood predating Leighton's work have been unearthed.
It should be noted that though most Vintqge Pontil Transitionals are attributed to manufacture in America by Leighton, some have recently Vintgae dug from former glassworks sites in Lauscha, Germany, suggesting that perhaps the technique for producing these marbles was picked up by Leighton and others by German artisans. While this company may have produced small numbers of Sulphides and German-type swirls, they were responsible mostly Vintsge Transitional Slags. These slags, which like other Transitional types, possess one pontil. The base glass is usually purple, with green and amber less commonly found, and as is the trait of all marblfs white glass is mixed in.
Most Transitional marbles Vintage blue marbles to Navarre have white swirls that form loops originating and ending at the pontil. However, research has shown that marbles from this factory will also display Vintage blue marbles "nine and tail" swirl formation that is so often considered a characteristic of M. Navarre Transitional Slag M. Christensen Transitional Slags The M. Christensen and Son Company operated fromand produced not only slags but also several other types of marbles. Though technically "Transitional" because they were gathered by hand but rounded by machine, most collectors group them with other machine made marbles, and therefore that is how I've discussed them.
You can find out more about this early American factory at the M. Christensen Agate Transitional Slags Though Christensen Agate is known best for its beautiful machine made marbles such as Flame Swirls, Guineas, and Striped Opaques, the earliest marbles from this company were hand-gathered and therefore Transitional. These marbles will include not only Slags, but also swirls including the American Agate. Christensen marbles before them, Transitional Christensen Agate specimens will exhibit the characteristic "nine and tail" common to hand-gathered marbles. Miscellaneous Transitional Slags When unidentifiable as to manufacturer, Transitional Slags are categorized by a taxonomy that defines them by pontil treatment.
Though useful in placing them into neatly fitting categories, there is nothing heuristically meaningful about such classification because it merely reflects the skill, time, and care put into finishing a marble. Slags with different types of pontils could have been made by the same factory and even, theoretically, the same worker. The same holds true for handmade marbles, which evince a variety of pontil styles, though it should be emphasized that some research has demonstrated overall changes in the finishing technique of handmade marbles through time. Transitional Slag Transitional Slag Transitional Slag With this said, the following discussion details each of the seven recognized styles of Transitional Slags as relates to their pontil type.
Regular Pontil Transitional Slags have single pontils that look just like the ordinary pontils on hand made marbles. That is, the pontils are rough areas that have not been further refined after the marble was cut from the punty. In fact, these are probably single-gather marbles and not "Transitional" in the true sense of the word. Many marbles thought to be Navarre, however, manifest this sort of pontil. Ground Pontil Transitional Slags are basically the same as Regular Pontil Transitional Slags but which have had the pontil ground, which results in a faceted appearance. Sometimes such marbles contain oxblood, and these are often thought to have been manufactured by James Leighton.
Melted Pontil Transitional Slags, like those with a ground pontil, may represent an upward progression in the care taken to put a final touch on a single-gather marble. The single pontil will not be as evident as on most other types of Transitional Slags and will be evident as an irregularly smooth area on one pole. Melted Pontil Transitional Slags may exhibit either the looping swirl pattern of Navarre marbles or the "nine and tail" of other hand-gathered types.