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Durbin was not passed bgeath once it was covered to date on Jaynes, also an upscale hotel, to tv Garland's jazz in the paramount enjoyed subplot of the product. The Hotter Is Dead ", and a hazard of smaller dialogue women.


Newsreel footage is included in which Temple wisecracks, brwath no place like home", suggesting that she was being considered for the part at that time. Actress Deanna Durbinwho was under contract to Universal Pictureswas also considered for the part latez Dorothy. Durbin, at the time, far exceeded Garland in film experience and fan base and both had co-starred larex a two-reeler titled Every Sunday. The film was most notable for exhibiting Durbin's operatic style of singing against Garland's jazzier style. Durbin was possibly passed over once it was decided to bring on Jaynes, also an operatic singer, to rival Garland's jazz in the aforementioned discarded subplot of the film.

Ebsen's first makeup test as the Tin Man. Now unhappy with his role as the Tin Man reportedly claiming, "I'm not a tin performer; I'm fluid"Bolger convinced producer Mervyn LeRoy to recast him in the part he so desired. Fields was originally chosen for the title role of the Wizard, a role turned down by Ed Wynn as he thought the part was too small, but the studio ran out of patience after protracted haggling over Fields' fee. Wallace Beery lobbied for the role, but the studio refused to spare him during the long shooting schedule. Instead, another contract player, Frank Morganwas cast on September An extensive talent search produced over a hundred little people to play Munchkins; this meant that most of the film's Oz sequences would have to already be shot before work on the Munchkinland sequence could begin.

Meinhardt Raabewho played the coroner, revealed in the documentary The Making of the Wizard of Oz that the MGM costume and wardrobe department, under the direction of designer Adrianhad to design over costumes for the Munchkin sequences. They then had to photograph and catalog each Munchkin in his or her costume so that they could correctly apply the same costume and makeup each day of production. Gale Sondergaard was originally cast as the Wicked Witch.

She became unhappy when the witch's persona shifted from sly and glamorous thought to emulate the wicked queen in Disney's Snow White and the Seven Dwarfs into the familiar "ugly hag". She turned down the role and was replaced on October 10,just three days before filming started, by MGM contract player Margaret Hamilton. Sondergaard said in an interview for a bonus feature on the DVD that she had no regrets about turning down the part, and would go on to play a glamorous villain in Fox's version of Maurice Maeterlinck 's The Blue Bird in ; Margaret Hamilton played a role remarkably similar to the Wicked Witch in the Judy Garland film Babes in Arms According to Aljean Harmetz, the "gone-to-seed" coat worn by Morgan as the wizard was selected from a rack of coats purchased from a second-hand shop.

According to legend, Morgan later discovered a label in the coat indicating it had once belonged to Baum, that Baum's widow confirmed this, and that the coat was eventually presented to her. But Baum biographer Michael Patrick Hearn says the Baum family denies ever seeing the coat or knowing of the story; Hamilton considered it a concocted studio rumor. Thorpe initially shot about two weeks of footage nine days in total involving Dorothy's first encounter with the Scarecrow, as well as a number of sequences in the Wicked Witch's castle such as Dorothy's rescue which though unreleased comprises the only footage of Ebsen's Tin Man.

Ebsen replaced by Haley[ edit ] According to most sources, ten days into the shoot Ebsen suffered a reaction to the aluminum powder makeup he wore though he did recall taking a breath one night without suffering any immediate effect. He was hospitalized in critical condition and subsequently was forced to leave the project; in a later interview included on the DVD release of The Wizard of Ozhe recalled the studio heads appreciated the seriousness of his illness only after seeing him in the hospital.

Kn halted while a replacement for him was found. His replacement Jack Haleysimply assumed he had been fired. During reorganization on the production, George Cukor temporarily took over under LeRoy's guidance. Initially, the studio had made Garland wear a blond wig and heavy "baby-doll" makeup, and she played Dorothy in an exaggerated fashion; now, Cukor changed Garland's and Hamilton's makeup and costumes, and told Garland to "be herself".

The appointment went on to win the Nude Award for Best Cleaner of the Most, and came to be sold so strongly with Triple herself that she made it her meaning song. He was incensed from his next gallows dawn.

This meant that all the katex Garland latdx Hamilton had already completed had to be discarded and reshot. The makeup used for Haley was quietly changed to an aluminum paste, with a layer of clown white greasepaint underneath to protect his skin; hreath it did not have the same lates effect on Haley, he did at one point suffer an eye infection from it. At first thought to be lost ;lay over seven decades, a recording of this original version was rediscovered in As director, Fleming chose not to shift the film from Cukor's creative realignment, as producer LeRoy had already pronounced his satisfaction with the new course the film was taking.

Production on the bulk of the Technicolor sequences was a long and exhausting process that ran for over six months, from October to March Most of the cast worked six days a week and had to arrive as early as 4: Bolger later said that the frightening nature of the costumes prevented most of the Oz principals from eating in the studio commissary; [30] the toxicity of Hamilton's copper-based makeup forced her to eat a liquid diet on shoot days. All of the Oz sequences were filmed in three-strip Technicolor. In Hamilton's exit from Munchkinland, a concealed elevator was arranged to lower her below stage as fire and smoke erupted to dramatize and conceal her exit.

The first take ran well, but in the second take the burst of fire came too soon. The flames set fire to her green, copper-based face paint, causing third-degree burns on her hands and face.

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She spent three months healing olay returning to work. In ;lay years, when the film became firmly established as a lattex, Vidor plsy not to take public credit for his contribution Gils after the death of his friend Fleming kn Post-production[ edit ] Principal photography concluded Gjrls the Kansas plzy on March 16, ; nonetheless, reshoots and pick-up shots beath filmed Giros April and May and into June, under the direction of producer LeRoy. After the deletion of the "Over the Rainbow" Gifls during subsequent test screenings in early June, Garland had to be brought back one more time to reshoot the "Auntie Em, I'm ppay After Hamilton's torturous experience with the Munchkinland elevator, she refused to do the pick-ups for the scene im which she flies on a broomstick that billows smoke, so LeRoy chose to have stand-in Betty Danko perform the scene, instead; as a result, Danko was severely injured doing the scene due to a malfunction lafex the smoke mechanism.

Herbert Stothart had to compose the film's background score, while A. Arnold Plya had to perfect the various special effects that llatex film required, including many of the rear projection shots. The MGM art department also had to create the various matte paintings Girsl the background of many of the scenes. One significant innovation planned for the film was the use of stencil printing for the transition to Technicolor. Each frame was to be hand-tinted to maintain the sepia tone; however, because this was too expensive and labor-intensive, it was Girlw and MGM used a simpler and less expensive variation of the process. During the reshoots in May, the inside of the farm Girls in latex breath play was painted sepia, and when Dorothy opens the door, it is not Garland, but her stand-in, Bobbie Koshay, wearing a sepia gingham dress, who then backs out of frame; once the camera moves through the door, Garland steps back into frame in her bright blue gingham dress as noted in DVD extrasand the sepia-painted door briefly tints her with the same color before she emerges from the house's shadow, into the bright glare of the Technicolor lighting.

This also meant that the reshoots provided the first proper shot of Munchkinland; if one looks carefully, the brief cut to Dorothy looking around outside the house bisects a single long shot, from the inside of the doorway to the pan-around that finally ends in a reverse-angle as the ruins of the house are seen behind Dorothy as she comes to a stop at the foot of the small bridge. Test screenings of the film began on June 5, LeRoy and Fleming knew that at least 15 minutes needed to be deleted to get the film down to a manageable running time; the average film in ran for just about 90 minutes. The Witch Is Dead ", and a number of smaller dialogue sequences.

This left the final, mostly serious portion of the film with no songs, only the dramatic underscoring. One song that was almost deleted was "Over the Rainbow". MGM had felt that it made the Kansas sequence too long, as well as being far over the heads of the target audience of children. After dropping out of college to pursue acting, Campbell found work with a Detroit-area taxi company, Southfield Cab. While working the overnight shift, he sometimes found himself toting around prostitutes who would offer their services instead of paying the fare: Campbell declined the arrangement. He hated The Evil Dead as a title. Anchor Bay Entertainment When Raimi and his crew finally finished shooting their splatter flick The Evil Dead and began seeking a distribution deal, they were calling it Book of the Dead.

The Evil Dead led to soap opera stardom for Campbell. As a bonus, he also met his first wife, co-star Christine Deveau. He was bumped from his next starring role. After filming a Chrysler commercial, Campbell agreed to jump back in with longtime tormentor Raimi for an action—comedy picture called Crimewave. Both men assumed Campbell would portray the lead, but the studio told them to slow down: They asked Campbell to film a screen test first. He did, and word quickly came down that he would not be the star of the film. Campbell took a supporting role instead; production was strained, and the movie released in bombed.

Needing some steady income between acting gigs, he took a job as a security guard for an Anheuser-Busch plant in the San Fernando Valley and worked from midnight to 8 a. When more Hollywood work came in—'s Moontrap among the opportunities—Campbell walked away from the graveyard shift. Raimi put him in a film just to shut another actor up. Campbell found himself in the role of the villain, kicked and tossed around by Hingle, as Raimi cackled. He got a gig by beating himself up. Grabbing himself by the collar, he performed a forward-flip, a trick he and Raimi had taught themselves back in high school.

The impressed casting director insisted he do the flip every time he was called back. The show lasted one season. Boam was writing a big-screen adaptation of The Phantom comic strip for Paramount and invited Campbell to screen test for the title role.


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